miércoles, 19 de mayo de 2010
lunes, 17 de mayo de 2010
sábado, 15 de mayo de 2010
viernes, 14 de mayo de 2010
jueves, 13 de mayo de 2010
bill callahan, a man needs a woman or a man to be a man
bueno y ya llegamos a la última entrega, con a man needs a woman or a man to be a man, otro temazo de aquellos... este cierra el disco, cuya portada reproducimos a continuación, con un lenk pra il bajar. espero que alguno haya escuchado estos temas y haya descubierto algo que le guste... bueno, en fin. disfrutad!
--------------------------------
when you leave, i go into our room
and lay me down on birds of paradise
it's pretty womanly in here!
roses noting every move
nothing goes on except what should
a vast legacy of good
and i don't know if i can uphold it on my own
i don't know if i can uphold it on my own
i don't know if i'm to be trusted
in our room
alone
a man needs a woman or a man to be a man
a man needs a woman or a man to be a man
a light that is explicit
between nine and noon
the light shows a life to things thought dead
like oaken legs and fireworks beneath the bed
fireworks are wasted in the day
i set 'em off anyway
to pass the time, 'til you return
i can't see a thing, 'til you return
maybe a little smoke 'til you return
with fireworks!
more fireworks!
with fireworks!
more fireworks!
and you tell me to wait...
just wait...
wait, just wait...
a man needs a woman or a man to be a man
a man needs a woman or a man to be a man
and when it's good and dark
the sky a wet black
like earth has turned
you say ok
now is time, ok
like earth has turned
above us explode a golden lion dripping red
a blue bear spitting white
a spider of fire on a web of sparks
a green dragon with spiralled eyes
fireworks light the way
fireworks light the way
before us lie many a night
before us lie fireworks in boxes
but only in you
deep in you
only in you
deep in you
is the fire that lights them
a man needs a woman or a man to be a man
a man needs a woman or a man to be a man
and lay me down on birds of paradise
it's pretty womanly in here!
roses noting every move
nothing goes on except what should
a vast legacy of good
and i don't know if i can uphold it on my own
i don't know if i can uphold it on my own
i don't know if i'm to be trusted
in our room
alone
a man needs a woman or a man to be a man
a man needs a woman or a man to be a man
a light that is explicit
between nine and noon
the light shows a life to things thought dead
like oaken legs and fireworks beneath the bed
fireworks are wasted in the day
i set 'em off anyway
to pass the time, 'til you return
i can't see a thing, 'til you return
maybe a little smoke 'til you return
with fireworks!
more fireworks!
with fireworks!
more fireworks!
and you tell me to wait...
just wait...
wait, just wait...
a man needs a woman or a man to be a man
a man needs a woman or a man to be a man
and when it's good and dark
the sky a wet black
like earth has turned
you say ok
now is time, ok
like earth has turned
above us explode a golden lion dripping red
a blue bear spitting white
a spider of fire on a web of sparks
a green dragon with spiralled eyes
fireworks light the way
fireworks light the way
before us lie many a night
before us lie fireworks in boxes
but only in you
deep in you
only in you
deep in you
is the fire that lights them
a man needs a woman or a man to be a man
a man needs a woman or a man to be a man
y concierne a
bill callahan,
smog,
woke on a whaleheart
miércoles, 12 de mayo de 2010
bill callahan, the wheel
y ya ya ya ya termina sycamore y en seguida empieza the wheel, no puede ser de otra manera.
the wheel has turned
one full circle
time for my meal of wood
to make my home lord
in a stable spoke lord
inside a turning wheel would be good
to make my home lord
in a stable spoke lord
inside a turning wheel bound for good
a woodbee tries to find purchase
in a turning spoke
from memphis to potomac
never giving up hope
i'd die in your jails lord
but you'd die by my laws lord
i think you got it worse
no rebel i, lord
i follow the river
when i'm lost
when i'm lost
the wheel has turned
one more circle
the payload is now immense
so climb aboard all
climb aboard
because the heavier we get
the heavier we get
the harder we crush, oh
the wagon rolls like an old millstone
driving bad deeds six feet deep
to make my home lord
in a stable spoke lord
inside a turning wheel would be good
to make my home lord
in a stable spoke lord
inside a turning wheel bound for good
one full circle
time for my meal of wood
to make my home lord
in a stable spoke lord
inside a turning wheel would be good
to make my home lord
in a stable spoke lord
inside a turning wheel bound for good
a woodbee tries to find purchase
in a turning spoke
from memphis to potomac
never giving up hope
i'd die in your jails lord
but you'd die by my laws lord
i think you got it worse
no rebel i, lord
i follow the river
when i'm lost
when i'm lost
the wheel has turned
one more circle
the payload is now immense
so climb aboard all
climb aboard
because the heavier we get
the heavier we get
the harder we crush, oh
the wagon rolls like an old millstone
driving bad deeds six feet deep
to make my home lord
in a stable spoke lord
inside a turning wheel would be good
to make my home lord
in a stable spoke lord
inside a turning wheel bound for good
y concierne a
bill callahan,
smog,
woke on a whaleheart
bill callahan, sycamore
there's sap in the trees if you tap 'em
there's blood on the seas if you map 'em
christian, if you see your poppa
tell him i love him
he taught me to love in the wild and
fight in the gym
he taught me the bottle gives birth to the cup
and you won't get hurt if you just
keep your hands up
and stand tall
like sycamores
sycamore got to grow down to grow up
young roots toil the soil like baby's first cup
and when they bend you in two
and say too green for the fire
when all you wanna do is be a part of the fire
all you wanna do is be the fire part of fire
like sycamores
there's sap in the trees if you tap 'em
there's blood on the seas if you map 'em
christian when i see your poppa
i'll tell him you love him
and remember to love in the wild and
fight in the gym
remember the bottle gives birth to the cup
and you won't get hurt if you just
keep your hands up
and stand tall
like sycamores
there's blood on the seas if you map 'em
christian, if you see your poppa
tell him i love him
he taught me to love in the wild and
fight in the gym
he taught me the bottle gives birth to the cup
and you won't get hurt if you just
keep your hands up
and stand tall
like sycamores
sycamore got to grow down to grow up
young roots toil the soil like baby's first cup
and when they bend you in two
and say too green for the fire
when all you wanna do is be a part of the fire
all you wanna do is be the fire part of fire
like sycamores
there's sap in the trees if you tap 'em
there's blood on the seas if you map 'em
christian when i see your poppa
i'll tell him you love him
and remember to love in the wild and
fight in the gym
remember the bottle gives birth to the cup
and you won't get hurt if you just
keep your hands up
and stand tall
like sycamores
y concierne a
bill callahan,
smog,
woke on a whaleheart
martes, 11 de mayo de 2010
bill callahan, diamond dancer
me parece que se nos vino encima la semana de woke on a whaleheart. quizás no la semana, el par de días.. o lo que sea. voy a subir así como ayer algunos temas del disco, con la letra... no creo que vaya a escribir nada sobre ellos, porque me parece que no me da. pero es una forma de compartir, de mostrar algo que puede despertar en uno cosas tan grandes... en fin. casi le pediría a todo el mundo que escuche este disco. el de ayer era el primer tema del disco, from the rivers to the oceans.
y hoy toca un hitazo, diamond dancer. hitazo.
y hoy toca un hitazo, diamond dancer. hitazo.
she was dancing so hard
she danced herself into a diamond
dancing all by herself
dancing all by herself
and not minding
doing the the thing as she dreamed it
doing the the thing as she dreamed it
her skin was sky blue
her skin was sky blue
under the lights
diamond dancer, diamond dancer
she was dancing so hard
she danced herself into a diamond
dancing all by herself
dancing all by herself
and not minding
and the one thing on her mind was
the one thing on her mind was:
it's time i gave the world my light
it's time i gave the world my light
starting tonight
diamond dancer, diamond dancer
y concierne a
bill callahan,
smog,
woke on a whaleheart
lunes, 10 de mayo de 2010
bill callahan, from the rivers to the ocean
when
when you were blind,
you touched things
for their shape
have faith in wordless knowledge
have faith in wordless knowledge
well,
i could tell you about the river
or...
we could just
get in
the body the rain made of our days before we knew
we are swimming in the river of the rains of our days before we knew
and it's hard to explain what i was doing or thinking before you
i guess i was a decent man,
all in all
followin' the river from above
like a bird
with faith in wordless knowledge
and the fallen stars they flew too
and i knew
they were sewing something,
something well made,
made
for me
and you
we are swimming in the river of the rains of our days before we knew
and it's hard to explain what i was doing or thinking before you
the city was a fist,
i lived on its wrist
and i took myself a good long look around
and the river grew higher and wider,
deeper, and darker
as i was closing in
and it led me to you,
which led me to say
let's get
in
we got in the river and it broked us
made us think of sex between us
at a time in our lives, oh, before we knew
we were swimming in the river of the rains of our days before we knew
and it's hard to explain what i was doing or thinking before you
and that beautiful thing you said, lying in bed
about all the things i could think of, oh, at the end of the day
but of all the places my mind could go
it always comes
loping
back to you
we are swimming in the river of the rains of our days before we knew
so meet me in the ocean, and we'll ride the waves
from the rivers to the ocean
each wave a lounging panther
sharp-eyed and true
we are swimming in the river of the rains of our days before we knew
and it's hard to explain what i was doing or thinking before you
have faith in wordless knowledge
have faith in wordless knowledge
when you were blind,
you touched things
for their shape
have faith in wordless knowledge
have faith in wordless knowledge
well,
i could tell you about the river
or...
we could just
get in
the body the rain made of our days before we knew
we are swimming in the river of the rains of our days before we knew
and it's hard to explain what i was doing or thinking before you
i guess i was a decent man,
all in all
followin' the river from above
like a bird
with faith in wordless knowledge
and the fallen stars they flew too
and i knew
they were sewing something,
something well made,
made
for me
and you
we are swimming in the river of the rains of our days before we knew
and it's hard to explain what i was doing or thinking before you
the city was a fist,
i lived on its wrist
and i took myself a good long look around
and the river grew higher and wider,
deeper, and darker
as i was closing in
and it led me to you,
which led me to say
let's get
in
we got in the river and it broked us
made us think of sex between us
at a time in our lives, oh, before we knew
we were swimming in the river of the rains of our days before we knew
and it's hard to explain what i was doing or thinking before you
and that beautiful thing you said, lying in bed
about all the things i could think of, oh, at the end of the day
but of all the places my mind could go
it always comes
loping
back to you
we are swimming in the river of the rains of our days before we knew
so meet me in the ocean, and we'll ride the waves
from the rivers to the ocean
each wave a lounging panther
sharp-eyed and true
we are swimming in the river of the rains of our days before we knew
and it's hard to explain what i was doing or thinking before you
have faith in wordless knowledge
have faith in wordless knowledge
y concierne a
bill callahan,
smog,
woke on a whaleheart
jueves, 6 de mayo de 2010
diploma de sensibilidad circular
A los candidatos al diploma de sensibilidad circular no es al teatro a donde se los lleva, sino a la calle, a lugares donde subsiste la miseria, o a lugares donde, por el contrario, reside el bienestar y la monotonía de la existencia sin altibajos y donde parece que no hay nada que sentir. Este es el suelo adonde se los lleva, a fin de ver qué trufas detectarán.
La prueba de la calle no es fácil aún cuando la suerte propicia os ofrezca transeúntes simples e interesantes a primera vista. Es preciso sentir rápidamente, enganchar a uno, o largar tan pronto el gancho en provecho de otro más importante por conocer y que pasa rozando el muro. Si el estudiante no ve a los transeúntes más que por lo exterior, en bocanadas de desdicha, si no engancha a los petrificados en sí mismos, a los que un viejo sentimiento encapsuló hace veinte años, un sentimiento del cual ya no pueden liberarse, mala nota para el candidato, mala nota; observamos entonces su rostro como una mano que atrapa, que no atrapa, que da, que no da... que da poco.
La prueba de la calle no es fácil aún cuando la suerte propicia os ofrezca transeúntes simples e interesantes a primera vista. Es preciso sentir rápidamente, enganchar a uno, o largar tan pronto el gancho en provecho de otro más importante por conocer y que pasa rozando el muro. Si el estudiante no ve a los transeúntes más que por lo exterior, en bocanadas de desdicha, si no engancha a los petrificados en sí mismos, a los que un viejo sentimiento encapsuló hace veinte años, un sentimiento del cual ya no pueden liberarse, mala nota para el candidato, mala nota; observamos entonces su rostro como una mano que atrapa, que no atrapa, que da, que no da... que da poco.
Henri Michaux, de Aquí, Poddema, 1946
lunes, 3 de mayo de 2010
respirando
A veces respiro más fuerte y al punto, con la ayuda de mi continua distracción, un mundo se levanta con mi pecho. No digo el África, pero sí grandes cosas.
El sonido de un violoncelo, el ruido de una orquesta en su conjunto, el jazz estrepitoso a mi lado, caen en un silencio cada vez más profundo, profundo y sofocado.
Su ligero rasguño colabora (a la manera como un millonésimo de milímetro colabora en la formación de un metro) en la formación de esas ondas que se engendran por todas partes, que se parapetan, que constituyen el contrafuerte y el alma de todo.
El sonido de un violoncelo, el ruido de una orquesta en su conjunto, el jazz estrepitoso a mi lado, caen en un silencio cada vez más profundo, profundo y sofocado.
Su ligero rasguño colabora (a la manera como un millonésimo de milímetro colabora en la formación de un metro) en la formación de esas ondas que se engendran por todas partes, que se parapetan, que constituyen el contrafuerte y el alma de todo.
Henri Michaux, de La noche se agita, 1934
queens of the stone age, monsters in the parsol
the walls are closing in again, oh well
the walls are closing in again, oh well
i seen some thing i thought i never saw
covered in hair
paul's dad is warped and bubbling, oh well
paul's dad is warped and bubbling, oh well
and my mind is out here on another wave
covered in hair
she won't go
she won't go
she won't go
she won't go
you've got a monster in your parasol
you've got a monster in your parasol
you've got a monster in your parasol
you've got a monster in your parasol
paul's sister is an alien, oh well
paul's sister is an alien, oh well
i seen some things i thought i never saw
covered in hair
she won't go
she won't go
she won't go
she won't go
you've got a monster in your parasol
you've got a monster in your parasol
you've got a monster in your parasol
you've got a hole in you i never saw
in your parasol, in your parasol
i seen some thing i thought i never saw
covered in hair
paul's dad is warped and bubbling, oh well
paul's dad is warped and bubbling, oh well
and my mind is out here on another wave
covered in hair
she won't go
she won't go
she won't go
she won't go
you've got a monster in your parasol
you've got a monster in your parasol
you've got a monster in your parasol
you've got a monster in your parasol
paul's sister is an alien, oh well
paul's sister is an alien, oh well
i seen some things i thought i never saw
covered in hair
she won't go
she won't go
she won't go
she won't go
you've got a monster in your parasol
you've got a monster in your parasol
you've got a monster in your parasol
you've got a hole in you i never saw
in your parasol, in your parasol
jueves, 29 de abril de 2010
reflexión
vieron que acá en el blog intento ser como prolijo???
jajaja
cualquiera eso
a veces lo miro y es medio cualquiera
jajaja
cualquiera eso
a veces lo miro y es medio cualquiera
jueves, 22 de abril de 2010
viernes, 16 de abril de 2010
lunes, 12 de abril de 2010
the purple sail above me catches all the strength of summer
fishes stop and ask me where i'm bound
i smile and shake my head and say "my little ship is sinking"
but i kind of like the sea that i'm on, and i don't mind if i do drown
for somewhere in my mind there is a painting box
i have every color there it's true
just lately when i look inside my painting box
i seem to pick the colors of you
los peces se detienen a preguntarme a dónde voy
sonrío y sacudo la cabeza, y digo "mi barquito se está hundiendo"
pero un poco me gusta el mar donde estoy, y no me importa si me ahogo
porque en algún lugar de mi cabeza hay una caja de pinturas
ahí tengo todos los colores, de veras
últimamente cuando miro en mi caja de pinturas
parece que elijo los colores tuyos)
miércoles, 7 de abril de 2010
lunes, 5 de abril de 2010
lunes, 15 de marzo de 2010
en un punto del camino te encuentras con un viejo.
él te dice que la neurociencia moderna ha probado que todas nuestras acciones y decisiones son meras maquinaciones de un universo predeterminado, y que nuestro concepto de "libre albedrío" no es más que una ilusión consoladora.
si estás de acuerdo con su hipótesis, pasa a la página 72
si estás en desacuerdo, pasa a la página 72
jueves, 11 de marzo de 2010
domingo, 7 de marzo de 2010
viernes, 5 de marzo de 2010
63 crayons, good people
jueves, 4 de marzo de 2010
i love you & the springtime blues
Josephine Foster @ Teatr Rozrywki, Chorzów, Poland (19.11.2009).
y concierne a
josephine foster,
this coming gladness
lunes, 1 de marzo de 2010
jueves, 25 de febrero de 2010
domingo, 21 de febrero de 2010
sábado, 20 de febrero de 2010
elf power, noble experiment

if the sadness of life makes you tired
and the failures of man make you sigh
you can loook to the times soon arriving
when this noble experiment breaks down and calls it a day
time has come no to stop being human
time to find a new creature to be
be a fish or a weed or a sparrow
for the earth has grown tired and all of your time has expired
all the gardens are sprouting with flowers
all the treetops are bursting with birds
and the people all know that it's over
they lay down all their airs and they hang up their tiresome words
lunes, 15 de febrero de 2010
viernes, 12 de febrero de 2010
miércoles, 3 de febrero de 2010
jueves, 28 de enero de 2010
miércoles, 27 de enero de 2010
lunes, 25 de enero de 2010
un ícaro
madre ayahuasca
llévame hacia el sol
de la savia de la tierra hazme beber
llévame contigo hacia el sol
del sol interior hacia arriba
hacia arriba subiré, madre
úsame, háblame, enséñame
enséñame a ver
a ver más allá
a ver al hombre dentro del hombre
a ver el sol dentro y fuera del hombre
enséñame a ver,
madre
usa mi cuerpo, hazme brillar
usa mi cuerpo, hazme brillar
con brillo de estrellas, con calor de sol
con brillo de estrellas, con calor de sol
con luz de luna y fuerza de tierra
con luz de luna y calor de sol, madre
madre ayahuasca
llévame hacia el sol
viernes, 22 de enero de 2010
the music tapes, 1st imaginary symphony for nomad

bueno, otro disco.
flashero.
banda? encabezada por julian koster, ex neutral milk hotel, antes chocolate usa y medio informalmente olivia tremor control, con su serrucho su banjo y su voz y acompañado por muchas otras cosas, algunas ni identificables, flashero. flasherísimo. raro, buenísimo. me encanta. el nombre music tapes lo usa desde los dieciséis años, aunque no sé bien para qué. hacía unos cassettes, me parece.
este es un disco medio conceptual pero como desordenado, digamos. sobre el poder de la televisión, la muerte de un actor de los 50s george reeves, que hacía de superman (hay un tema que es una carrera entre superman y una bala que viene en dirección a nosotros oyentes.. el final lo dejo en suspenso)... pero sobre todo, diría, y así en general, sobre la infancia. el disco tardó 4 años en hacerse, grabado en closets y armarios en la casa de la abuela de jk usando equipos muy viejos (hasta uno de estos, de 1895)... mandado a abbey road sólo para que la masterización se haga en esa consola... me parece que se va entendiendo la onda. no? casi no hay guitarras o baterías, más bien pianos y serruchos (sierra musical? no sé cómo se llama este instrumento). también suenan pelotas rebotando, aspiradoras... qué se yo. también tienen un metrónomo de dos metros de altura. mezcla cancioncitas pegajosas, de unas melodías como infantiles buenísimas, con collages, musique concrete y cosas así. salió en julio del 99 y aunque por momentos pueda parecer medio oscuro y como demasiado bizarro, es un disco que habla sobre la infancia, la alegría... y es algo completamente no serio. un flash ya lo dije? bueno, comprobadlo!!
...we offer the best of luck and our sincere hopes that you will conclude this record still in full possession of your life.
flashero.
banda? encabezada por julian koster, ex neutral milk hotel, antes chocolate usa y medio informalmente olivia tremor control, con su serrucho su banjo y su voz y acompañado por muchas otras cosas, algunas ni identificables, flashero. flasherísimo. raro, buenísimo. me encanta. el nombre music tapes lo usa desde los dieciséis años, aunque no sé bien para qué. hacía unos cassettes, me parece.
este es un disco medio conceptual pero como desordenado, digamos. sobre el poder de la televisión, la muerte de un actor de los 50s george reeves, que hacía de superman (hay un tema que es una carrera entre superman y una bala que viene en dirección a nosotros oyentes.. el final lo dejo en suspenso)... pero sobre todo, diría, y así en general, sobre la infancia. el disco tardó 4 años en hacerse, grabado en closets y armarios en la casa de la abuela de jk usando equipos muy viejos (hasta uno de estos, de 1895)... mandado a abbey road sólo para que la masterización se haga en esa consola... me parece que se va entendiendo la onda. no? casi no hay guitarras o baterías, más bien pianos y serruchos (sierra musical? no sé cómo se llama este instrumento). también suenan pelotas rebotando, aspiradoras... qué se yo. también tienen un metrónomo de dos metros de altura. mezcla cancioncitas pegajosas, de unas melodías como infantiles buenísimas, con collages, musique concrete y cosas así. salió en julio del 99 y aunque por momentos pueda parecer medio oscuro y como demasiado bizarro, es un disco que habla sobre la infancia, la alegría... y es algo completamente no serio. un flash ya lo dije? bueno, comprobadlo!!
...we offer the best of luck and our sincere hopes that you will conclude this record still in full possession of your life.
y concierne a
elephant 6,
julian koster,
the music tapes
domingo, 17 de enero de 2010
bill callahan, rococo zephyr en vivo
she lay beside me like a branch from a tender willow tree
i was as still, as still as a river could be
when a rococo zephyr swept over her and me
she watched the water ripple ripple ripple ripple light
light watched the water ripple ripple ripple ripple she
i did some kind of dance, jaunty as a bee
i tried to look my best, a finch in wild mint vest
a fiercer force had wrenched her from where she used to be
i caught and caressed the length of her, a tender willow branch floating on me
well maybe this was all, was all meant to be
maybe this is all, is all that meant to be
a rococo zephyr crept up and stepped over her and me
well i used to be sort of blind
now i can sort of see
when a rococo zephyr swept over her and me
she watched the water ripple ripple ripple ripple light
light watched the water ripple ripple ripple ripple she
i did some kind of dance, jaunty as a bee
i tried to look my best, a finch in wild mint vest
a fiercer force had wrenched her from where she used to be
i caught and caressed the length of her, a tender willow branch floating on me
well maybe this was all, was all meant to be
maybe this is all, is all that meant to be
a rococo zephyr crept up and stepped over her and me
well i used to be sort of blind
now i can sort of see
y concierne a
bill callahan,
sometimes i wish we were an eagle
sábado, 16 de enero de 2010
josephine foster, little life
sale el primero, sale primero porque lo estoy escuchando hoy. es una de las primeras cosas que grabó josephine foster, es un disquito chiquito, de ukelele y voz, ambos muy bonitos... muy distinto a algunas cosas que haría luego (que es todo muy bonito también, ya aparecerá por aquí..). podría decirse que son canciones para chicos? me parece... no sé. es divertidísimo y tiene una belleza gigante. lo sacó en 2001 y se llama little life.lindísimo, lindíssssssimo.
me parece que en estos días voy a subir unos disquitos, todos maravillosos, en general bastante nuevos, de estos últimos años digamos... m. no creo que escriba nada acerca de ellos, la verdad es que no puedo hacerles justicia de ninguna manera. sé que no se puede, ni lo voy a intentar. quiero que la gente que quiero los escuche. en general solamente puedo decir que cada uno me hace tan tan tan feliz, como pocas otras cosas. cada uno tiene su momento, por supuesto, y vuelven... bueno ud sabe. en fin. emm. no sé. bajenlós, escuchenlós, ojalá los disfruten muchísimo.
viernes, 25 de diciembre de 2009
country joe and the fish, grace
lo pongo en videito, que ponés play y lo ves,
PERO lo pongo también en disquito, que con un dos clicks lo tenés camino a casa, con todos sus amigos temas que lo acompañaron siempre
no sé qué decir
o sea: se puede hablar tanto que mejor no decir nada, creo...
one, two, three, four.
shhhhhhhhhhhhh
shhhhhhhhhhhhh
cold rain to splash water diamonds colored green and
flash the sun to paint green her hair.
cold rain to splash water diamonds colored green and
flash the sun to paint green her hair.
your silver streak flash
your silver streak flash
your silver streak flash
across the tiny door of my eye
across the tiny door of my eye
warm wind to touch the trees colored blue and
flash the moon to paint blue my heart.
warm wind to touch the trees colored blue and
flash the moon to paint blue my heart.
your silver streak flash
your silver streak flash
your silver streak flash
across the tiny door of my eye
across the tiny door of my eye
soft skin to spend the every day colored gold and
flash the sea to paint gold our love.
soft skin to spend the every day colored gold and
flash the sea to paint gold our love.
your silver streak flash
your silver streak flash
your silver streak flash
across the tiny door of my eye
across the tiny door of my eye
shhhhhhhhhhhhh
shhhhhhhhhhhhh
i love you
i love you
i love you
shhhhhhhhhhhhh
shhhhhhhhhhhhh
cold rain to splash water diamonds colored green and
flash the sun to paint green her hair.
cold rain to splash water diamonds colored green and
flash the sun to paint green her hair.
your silver streak flash
your silver streak flash
your silver streak flash
across the tiny door of my eye
across the tiny door of my eye
warm wind to touch the trees colored blue and
flash the moon to paint blue my heart.
warm wind to touch the trees colored blue and
flash the moon to paint blue my heart.
your silver streak flash
your silver streak flash
your silver streak flash
across the tiny door of my eye
across the tiny door of my eye
soft skin to spend the every day colored gold and
flash the sea to paint gold our love.
soft skin to spend the every day colored gold and
flash the sea to paint gold our love.
your silver streak flash
your silver streak flash
your silver streak flash
across the tiny door of my eye
across the tiny door of my eye
shhhhhhhhhhhhh
shhhhhhhhhhhhh
i love you
i love you
i love you
y concierne a
country joe and the fish,
electric music for the mind and the body
jueves, 24 de diciembre de 2009
martes, 22 de diciembre de 2009
¿Qué no es ilusión o fenómeno?
Ku y Shíki son lo mismo. Los fenómenos son la verdad. Durante el zazen no debéis abandonar el pensamiento pero tampoco debéis entretenerlo. No es necesario buscar la conciencia del satori o de la iluminación si os concentráis en la postura. Durante el zazen surgen muchas ilusiones, sin lugar a dudas. ¿Qué son estas ilusiones? ¿Qué es bueno? ¿Qué es malo? Es difícil establecer la norma. "Tengo que ser guapo, tengo que ser buena persona, no debo pensar en cosas malas..." Todo es fenómeno. La postura es como un espejo cuando os concentráis en ella. Las ilusiones, los pensamientos, pasan delante del espejo. El espejo refleja muchas cosas pero él mismo no cambia. Las ilusiones son la verdad. Está escrito en el Hannya Shingyo: ku se convierte en fenómeno, los fenómenos se vuelven ku. No hay separación.
lunes, 21 de diciembre de 2009
"Hay quienes tenemos alguna enfermedad física, del alma o del corazón o simplemente no hemos podido encontrar nuestra vida. En este desierto viviente y mágico, confín del mundo, el Venado Azul se nos revelará para encontrar nuestra vida, él nos enseñará, él será nuestra medicina. Una maximización del espíritu nos conducirá hasta el punto de la transformación temporal en transición a la exaltación espiritual, para encontrar las fuerzas del equilibrio. Esa capacidad inefable para aventurarnos sin temor en el angosto puente a través del gran abismo que separa el mundo ordinario del mundo del más allá. Para lograr éstas fuerzas del equilibrio debemos vencer nuestros miedos, quitar los malos pensamientos de nuestros corazones y unirlos. Los peregrinos debemos de estar limpios de todo mal de sentimiento, debemos de regresar al periodo de la vida en que éramos inocentes, antes de que fuéramos adultos, mundanos, ya que a ésta tierra madre venimos a nacer. El pasar de este mundo al más allá podremos hacerlo, porque al recibir el Venado Azul, dejaremos de ser ordinarios, seremos transformados. Pero hay que recordar que es solamente temporal porque somos solamente hombres y mujeres y no dioses"
sábado, 19 de diciembre de 2009
the magnetic fields, the cactus where your heart should be
the cactus where your heart should be has lovely little flowers
so though it's always pricking me my ardor never sours
the cactus where your heart once was has power to rend and flay
i stick because i'm stuck, because i just can't tear myself away
so though it's always pricking me my ardor never sours
the cactus where your heart once was has power to rend and flay
i stick because i'm stuck, because i just can't tear myself away
y concierne a
69 love songs,
the magnetic fields
viernes, 11 de diciembre de 2009
miércoles, 9 de diciembre de 2009
glenn gould toca las variaciones goldberg, de bach
parece como si bach mismo hubiera bajado(!!?) a tocarlas.
(poniendo siempre el primer video relacionado de los que aparecen al final, se pueden ir viendo todas, de la uno a la treinta. buen viaje.)
(poniendo siempre el primer video relacionado de los que aparecen al final, se pueden ir viendo todas, de la uno a la treinta. buen viaje.)
sábado, 5 de diciembre de 2009
mi espíritu se fue
es mi espíritu que va,
"llevame"
es mi mente que al silbar
me encanta
hay un perro que me ladra
y está afuera desde aquí
es mi espíritu que da
mil vueltas
y se enreda en el jardín,
"llevame"
es así como mi abuelo se complace
desde allá
mi mente ya entendió por qué está sola
mi mente ya entendió por qué está sola
porque mi espíritu se fue
es mi espíritu que va,
"llevame"
es mi mente que al silbar
me encanta
es así que ladra un perro
y es que ladra desde allá
mi mente ya está sola con la noche
mi mente ya entendió por qué está sola
porque mi espíritu se fue...
4/12/2009
y concierne a
gracias,
pescado rabioso,
spinetta
viernes, 4 de diciembre de 2009
HOUSLE
dirigido por tristan love y james longmire, en praga. con jiri kabes (de plastic people of the universe) y a hawk and a hacksaw, que son heather trost y jeremy barnes (ex neutral milk hotel) y además hacen la música.
y concierne a
a hawk and a hacksaw,
jiri kabes,
plastic people of the universe
martes, 1 de diciembre de 2009
neutral milk hotel, in the aeroplane over the sea (II)
no está mal repetir
no puede estar mal repetir una cosa así

what a beautiful face
i have found in this place
that is circling all 'round the sun...
what a beautiful dream
that could flash on the screen
in a blink of an eye and be gone from me,soft and sweet,
let me hold it close and keep it here with me...
and one day we will die,
and our ashes will fly
from the aeroplane over the sea.
but for now we are young,
let us lay in the sun
and count every beautiful thing we can see...
love to be
in the arms of all i'm keeping here with me...
what a curious life
we have found here tonight,
there is music that sounds from the street.
there are lights in the clouds,
anna's ghost all around,
hear her voice as it's rolling and ringing through me,
soft and sweet,
how the notes all bend and reach above the trees...
now, how i remember you...
how i would push my fingers through your mouth
to make those muscles move
that made your voice so smooth and sweet...
and now we keep where we don't know,
all secrets sleep in winter clothes,
with one you loved so long ago,
now he don't even know his name...
what a beautiful face
i have found in this place
that is circling all 'round the sun...
and when we meet on a cloud,
i'll be laughing out loud,
i'll be laughing with everyone i see.can't believe
how strange it is to be anything at all...
no puede estar mal repetir una cosa así

what a beautiful face
i have found in this place
that is circling all 'round the sun...
what a beautiful dream
that could flash on the screen
in a blink of an eye and be gone from me,soft and sweet,
let me hold it close and keep it here with me...
and one day we will die,
and our ashes will fly
from the aeroplane over the sea.
but for now we are young,
let us lay in the sun
and count every beautiful thing we can see...
love to be
in the arms of all i'm keeping here with me...
what a curious life
we have found here tonight,
there is music that sounds from the street.
there are lights in the clouds,
anna's ghost all around,
hear her voice as it's rolling and ringing through me,
soft and sweet,
how the notes all bend and reach above the trees...
now, how i remember you...
how i would push my fingers through your mouth
to make those muscles move
that made your voice so smooth and sweet...
and now we keep where we don't know,
all secrets sleep in winter clothes,
with one you loved so long ago,
now he don't even know his name...
what a beautiful face
i have found in this place
that is circling all 'round the sun...
and when we meet on a cloud,
i'll be laughing out loud,
i'll be laughing with everyone i see.can't believe
how strange it is to be anything at all...
Jeff Mangum.
y concierne a
elephant 6,
in the aeroplane over the sea,
neutral milk hotel
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